Within the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is effortlessly straight-backed, his limbs defined beneath a simple white T-shirt. During performances, ballet dancers can appear as mighty gods, yet frequently in person they are petite. Not so Ball, whose height is part of his demand for princely roles and pas de deux work. Possessing fine traits and intense eyes, there's a hint of a brooding actor about him.
A Seamless Ascent to the Pinnacle
At 31, Ball is enjoying the peak of a career that has advanced smoothly. Raised in Liverpool, he faced little teasing for his early passion in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was promoted each year, attaining the highest position of principal in 2018. He has loved tackling meaty dramatic roles, especially the psychological turmoil found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's next featured appearance is as himself, in an "Evening With" event aiming to offer intimate insights into a performer's art. He will walk the crowd through a part, showing his cognitive process while execution. Yet in more comedic works, the test is significant. "Don Quixote is one of the toughest technically," he states.
The Psychological Game and After the Show Emotions
How does he feel following a show, when he has pulled it off? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the role, quite often I do feel self-conscious later. Following an intense role I'm always like: God, what must people think?"
Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. But a dance maker previously observed on a "kind of suffering in him." Does this exist? "I am very energetic usually, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."
Formative Motivations and Creative Influences
His determination originated in early experiences. Not excelling in competitions at school made him "vengeful!" It was fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.
The next endeavor is making his own dance works. For Ball, "organic movement has value." "Challenging the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from books, compositions, and art.
Intimate Dance and Personal Dynamic
He also favors presenting dance in smaller venues. "It was just really thrilling," he says of a past experience. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their main theater, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest supporter."
On Social Media and Physical Perception
On Instagram, followers can see videos from his dance films and photos that highlight a sculpted form. Does he care that the response can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He compares it to seeing Michelangelo’s David—an object that can be interpreted on multiple ways.
Ball characterizes his younger self as "desperate for success." Did it met his expectations? "I am conscious of how reality is a different thing to the aspirations you made as a child," he reflects. He likely has another decade of performing left. "I guess in the time to come, I want to be a bit more kind with myself."